HIMAPALA UNESA

Himapala Unesa adalah organisasi bergerak di bidang outdoorsport dan sosial.

ORGANISASI

Proin luctus placerat arcu, eget vehicula metus rhoncus ut. Fusce pharetra pharetra venenatis. Sed condimentum ornare ipsum.

Maecenas nisl est

Vestibulum suscipit ullamcorper bibendum. Nam quis commodo ligula. Etiam et mi et magna molestie iaculis.

Lorem ipsum dolor sit amet

Duis fermentum sem nec ipsum lacinia fermentum. Lorem ipsum dolor sit amet, consectetur adipiscing elit.

Popular Posts

Blog Archive

Sample Text

The grade of Echo Wall

Shaking out before the final crux on Echo Wall (video still)

It’s been an interesting experiment, climbing the hardest route of my life but not giving it a grade. Contrary to what some people seem to be thinking, this was not to make any particular point, merely because I didn’t know what to grade it. That said, it always irritated me that the grades of my routes or repeats ended up at the centre of the discussion, rather that at the fringe where they belong. I have noticed people even referring to my climb Rhapsody as ‘E11’ as if that were it’s name rather than an insignificant and rather meaningless number attached to it.

Part of the reason writing this blog is useful is that I can answer question folk commonly ask and hopefully steer the chat back towards what’s important - the climbing - and away from grading (ha! he says, optimistically). Anyway, perhaps some more details will help folk get on with pigeon holing a beautiful climb into a ill fitting picture.

Right now, I still have no idea what to grade Echo Wall, so I’m not going to at the moment. Perhaps at some point I’ll have repeated some more routes given E grades in double figures and have a better idea. Grades evolve. With few references to go on, they are pretty shaky. Once there are more routes and more climber’s opinions on them, they become a bit more useful. Echo Wall is much harder than any trad route I’ve ever done or tried, thats all I know right now.

Quite apart from the line and the mountain, I was really inspired by making a route that had the combination of 8c or harder climbing, an uncompromising level of seriousness (which, if you need it spelled out, means you would die if you fell off it), and a remoteness of situation that would create a logistical challenge of actually working on the climb. Echo Wall was perfect in this respect. None of the Ben’s hardest routes to date have had high standard physical climbing. Why? Because it’s just not practical. It’s covered in snow, rain, mist, lichen or moss 99.9% of the time. Go to somewhere like the lakes and you’ll get nice weather, nice chilled approaches and pretty small and convenient crags. When I first began to think about trying Echo Wall, I figured I would be able to absorb this hurdle and that the climbing would be the main problem. The climbing challenge was be to be able to climb 9a at the same time as spending lots of time in the mountains to have a realistic chance of linking Echo Wall on a top rope. As it turned out, this was the easy bit!

My headache here is how should this be reflected in the grade? We have trad routes given big grades like E9 or E10 that are completely piss on a toprope (like 8a+ or easier) but their grades stand the test of repeats because of either seriousness or mountain situation (often stretched quite a bit!). I actually agree that proper mountain trad routes should have some recognition of their remoteness and awkwardness reflected in the grade. Echo Wall feels like 8c/+ on a top rope, with the real prospect of death from the redpoint crux, on a crag with more logisitcal issues than any other mountain crag in the UK.

Do you see my problem? I am uncomfortable with the feeling of grades advancing too quickly due to overgrading, but on the other hand feel that Echo Wall might well earn a laughable quanta of E points over anything else I’ve done, based on the way the E scale has been used traditionally over the past couple of decades. I just don’t know.

Grades will always be very shaky and mobile at the cutting edge, but it would be a shame for these grades to lose any credibility they did have just because the standard going through a period of rise. On the other hand, if you really believe a route is a certain grade, it’s important to just be straight up and make the proposal. James Pearson has just done this with a stunning looking new line in Devon. An inspired piece of work from one of the world’s top climbers in the trad and bouldering disciplines right now. And top effort for sticking his neck out and pinning the E12 grade to a climb for the first time.

So what is the solution to all this uncertainty? Like most hard truths, you knew it already - time and repeat ascents. It will take climbers to drag themselves to these corners of our isles and make the time to get these things repeated. Until then, comparison between them is a fools errand.

For that reason, Echo Wall is ungraded, for now. It doesn’t matter, because the interesting part is the story of the ascent, and I’ve not been nearly so cautious in making sure it can be heard!

Even more stats, if you are into number crunching:

Echo Wall took me longer to link on a top rope than A’ Muerte 9a, i.e. Many days, while in Spain I was able to consistently climb 8b+ and 8c in a day.

Echo Wall is 8a+ up to the roof at 12m, with the smallest BD micro cam for gear. This section is comparable with If Six Was Nine E9 in the Lakes. At the roof I could get about 40 seconds rest out of the kneebar.

After the roof is the technical crux. There are three bits of gear protecting this - a poor Camalot in a very shallow slot, a good wire but in a suspect tooth of rock and wire in dubious rock. It’s dubious because there used to be another wire placement right beside it which was the best of the lot, but the placement broke and fell off randomly in between my visits. Scary!

Right after the crux there is an RP3, quite good but blindly placed. Then a runout to a shakeout.

The shakeout isn’t so good, and afterwards there is final hard section and this is where I fell many times when trying to link it. There is an RP and very poor skyhook at the shakeout, but the placement is in a loose flake of rock so I’m pretty sure they would just pull right through if you fell here. You have to do the final boulder problem pumped, knowing if you fall you will die.

Winter is on the way

If you are into winter climbing, the sight of the first autumn snows on the mountains has strange effect on you. Partners, rock climbers, and other groups of sane people find it quite unfathomable why the sight of a few bits of white gets us so excited, but it just does.

Fresh snow in five finger gully, Ben Nevis

It’s a feeling that reminds you of when you first started climbing – everything is a possibility, who knows what the coming season will bring. But either way you know you are going to enjoy it. It was bitter in the glen right through the day and frosty again tonight.

Bring it on.


Readpeace.com Very Vocabulary Podcast

In other words

A piece by John Walsh in The Independent a couple of days ago gives a new "visual dictionary" website, Wordia a bit of a savaging. Wordia claims to be "redefining the dictionary" but is described by Walsh as "misleading", which is no use for a dictionary, and he goes on to wonder...

...whether a dictionary can usefully be run by chat and semi-consensus; and whether it's right for readers to "select" a meaning they find "relevant", rather than one that's actually correct.


The idea behind Wordia is explained in the article:

The everyone-join-in dictionary is called wordia.com, and is the joint offspring of the television producer Edward Baker and Michael Birch, the internet entrepreneur who founded Bebo, the social-networking site. They've linked up with HarperCollins, the blue-chip publisher owned by Rupert Murdoch, to make use of their electronic dictionary of 76,000 headwords and 120,000 definitions. But the unique selling proposition behind wordia.com is visual: they want to compile an archive of videos in which thousands of members of the public will offer their own definitions of favourite words and have them posted on YouTube, with which Baker and Birch are also in partnership.


But, as Walsh points out, dictionary definitions aren't decided upon by random celebrities; they're decided upon by qualified language experts who know something about the language and where the actual words derive from. That's not to say that we can't have our own ideas about what certain words mean to us - they're more the connotations of words than their denotations - but that if we don't have accepted and agreed definitions to words we'll be left floundering in a sea of vagueness and, like...whatever.

The other point is that dictionaries do respond to new words and new meanings, but they're a bit more careful to source these than Wordia. Look here and here for more details about what lexicographers actually do.

But Walsh is not entirely negative about different approaches to dictionary compilation. He speaks more approvingly of Urban Dictionary, which collects different meanings from its contributors and is well known for its up to date slang definitions (and its rude words and thinly veiled personal insults e.g. "definition of gay = my stupid English teacher").

And if you think that's sad, have a read about this chap who has just read the OED from cover to cover.

Useful for:
ENA5 - Language Change
ENGA3 - Language Explorations

Echo Wall trailer

Here is a trailer for the Echo Wall film. We are expecting the DVD in late October (I hesitate to say an exact date!!) but if you would like to get your copy in, you can pre-order it from the shop now.







Cripes! It's another article about new words

It's the 74th article this year about new words. Are you bored yet?

"No!" I hear you cry. "New words are a fascinating barometer of social change and I long to discover more about the formation processes behind them," you go on to say.

And yes, I agree with you. So, here's a piece from today's Daily Mail which features such gems as those in the image here and many others such as momnesia and nomophobia. And for this week's Haribo prize, what do these two words mean?

There is still 1 unclaimed prize from last week, so have a look at this post to get your prize and join Leanne in the happy land of Haribo.

Useful for: ENA5 - Language Change ENGA3 - Language Explorations

Plans for winter

Although my time recently has been so hectic with our work on the Echo Wall film, things have been more relaxed in my climbing, which makes a nice change really. Relaxed in some senses, but not in others you understand. I have been ruthlessly attacking Kimber’s campus board every night and mixing this with loads of bouldering and endurance training ready for the winter season of valley level rock climbing. I’ve not had enough time for any flexibility work which has been irritating me, but I will have soon.

Since doing Echo Wall I’ve gradually come to enjoy the feeling of not having any particular looming focus of a big project right now. It’s something I obviously had a lot in past years, but have been really focused on big hard redpointing routes over the past couple of years. This winter I’ll be bouldering a lot and onsighting much more too, mainly on mixed. People sometime ask me why I don’t do more onsighting, but I think they forget that I do all year long, just that it’s on winter mixed. I have three big winter lines at the top of my hitlist. One is just so laughable it’s ridiculous, but in a funny sort of way, I could see myself doing it. So the ice axes will be featuring in my training during December too.

My goal here is to do something of the order of Echo Wall, but in the discipline of winter climbing. I have the projects, I have the psyche and some availability of partners (the Shields is particularly psyched this season). So all that’s left is to get amongst it. Looks like some early dustings of winteriness are hitting the highlands over the next few days too. There is nothing like that anticipation if you are into winter climbing!


Kev Shields soloing Sweet Little Mystery E4 6a, Glen Nevis last week (the film of this is in the Echo Wall extras).