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More adventures like this...

Thanks to everyone (there was a LOT) who sent me a message to say you really enjoyed the 5 Climbs, 5 Islands programmes. Episode 2 is still on BBC iPlayer for a few days. If you miss it, it’ll be on DVD soon so don’t worry.
Watching it myself reminded me how much this type of adventure is really what I like and hope I can keep doing them as long as I’m still around. A lot of folk commented about how I did like to try as hard routes as possible on this type of thing - that’s totally true. I totally need to feel that I might not be able to do it, or even more that I actually can’t do it, but learn along the way how to figure out how to make it work. 
That process of focusing in and getting really absorbed in the task in hand seems to be hardwired in me. I don’t know exactly where it comes from. I get very frustrated and wrestless when there is a barrier between me and focusing properly on the task. I find it pretty hard to accept that things upset progress and take that in my stride. I tend to respond by going even deeper into the obsessive zone. Climbing yields really well under this approach, which is pretty much the core reason why I got better at it slowly. Up to a point it works really well in other fields too, but at a big cost.
It leads to a funny situation in that as a climbing coach I spend most of my time trying to encourage people to adopt this approach, but a lot of my adult life has been spent trying to blunt it myself. The Triple 5 programmes and The Great Climb I hope gave a decent insight into how these things work out in climbing. On that day my normal focus was totally destroyed every time I put my mashed up ankle on a foothold. Half of me wanted to give up and half of me wanted to shut it out and keep climbing. So ‘machine’ mode won out and I just went a bit quiet and kept grabbing holds til we were on top. It seemed to me that Tim had pretty much the same experience on the soaking wet finishing pitch. It would have been very very easy to admit defeat then.
The experiences of this summer made me think again about the big one - my project of freeing the original aid line of the Longhope Route on Orkney. If ever there was a climb that demanded and would reward the obsessive approach it’s that one. Perfect really. After this year’s shortlived trips up there I realised I probably wasn’t good enough to do it last year, or this. But I’m still learning a lot about the tactics and training needed to make it work. Looking forward to standing underneath it again next summer with fresh energy to throw at it.

Chinese Kanji Tattoo

Chinese Kanji Tattoo
Chinese Kanji Tattoo

Chinese Kanji sleeve Tattoo
Chinese Kanji Sleeve Tattoo

Attitudes to foreign accents

With the post earlier today focussing on changing English accents and pronunciation, here's something different. A piece of psychological research from the USA and covered on the BPS research digest shows that in a study of "believability" heavier foreign accents came out lower in their score than light accents or "normal" ones.

The researchers suggest that it isn't just down to prejudice, but might have something to do with what they refer to as the "fluency effect" (Wikipedia defines and explains it here). Perhaps if we struggle to process a heavier, less familiar accent, we tend to believe the content of it less. The study referred to by the BPS seems to suggest that the fluency effect really has an impact.

A while ago (1971 to be precise) Howard Giles carried out a famous sociolinguistic study when he looked at attitudes towards different accents in the UK. He used a matched guise structure for his study (read more about this methodology here) and the American study is similar in many respects.

Edited on 26.11.10 to add:
This piece of research into the brain's activity when faced with foreign accents is also quite interesting.

Why we love i and simples

There's lots of good stuff for students of language change in today's papers and online, with the latest additions to the Collins English Dictionary getting some coverage. The Scotsman gets some expert opinion from Edinburgh University's Geoff Pullum on the new entries to the dictionary and you can read more here. Elsewhere, the BBC covers it here and The Guardian here.

For many of these articles, the highlight is the inclusion of a humorous Russian meerkat and his use of "simples". Linked to new words and their formation, the BBC News magazine also has an interesting look at the way i- has entered the language as a kind of trendy prefix. According to the article, now we have the iPod, the i-Player and the i-Phone (well I don't have an i-Phone but I wish I did) but soon we will have i-everything. In the same way that e took off as a briefly funky prefix to add to anything you wanted to pretend was modern (e-commerce, e-marketing, email...) i- has become the new must-have prefix. It's a good read and features the wisdom of Tony Thorne from King's College, London, a man who knows his onions when it comes to language change and new words.

Getting in a pickle with lickle Mr Tickle

The forthcoming British Library Evolving English exhibition is looking like a brilliant event for anyone who is interested in our language, and it's receiving some national coverage today for its focus on our evolving accents.

This morning's Radio 4 Today programme featured Jonnie Robinson from the British Library and John Wells, the UCL phonetician, talking about how our pronunciation of different words changes and how people feel about those changes. You can listen to it on i-Player here and if you're an SFX student try the link through Moodle that will appear later this week.

The BBC News website covers the exhibition's focus on collecting pronunciation here and they explain how the Mr Men story, Mr Tickle, is being used to collect our regional, social and ethnic differences in pronunciation.

So, how do you say little? Is it li??el (with glottal stops), littel (with Ts in your mouth), lickle (if you're Jamaican...or Tim Westwood)? And what about the eighth letter in our alphabet: is it Haitch or Aitch? The British Library wants to know. There's more about it here as well.

So, farewell then, Melissa. Those who dissed you will be retributed.

It's with great sadness that we wave farewell to Melissa from this season's Apprentice. Not only did she have the charisma of a young Amy Winehouse, the self-belief of Gordon Gecko and the haircut of a porcupine, but she also changed our language.

Today's fantastic moments included (following on from the other week's comfortability where adding an "-ity" suffix to a word makes it even more serious than just plain comfort) professionality , manoeuvrement (not manoeuvrability)and (at the end of the show where she claimed to have been ganged up against by her fellow boardroom candidates) the bloodcurdling threat that for their behaviour... "karmically they'll be retributed".WTF?

Goodbye, Melissa. We salute you for making up random new words.

edited the morning after to add:
...but are they random? A colleague says that, while they appear random, Melissa is actually following some rules with her use of -ity and -ment. But what are those rules and why should professional, the adjective, take -ism to make it a noun, or manoeuvre, the verb, take -ability rather than -ment?

5 Climbs, 5 Islands part 2


Stac Lee, St Kilda looking amazing


Quick reminder to tune into the second part of our 5 Climbs, 5 Islands adventure tonight, 7pm, BBC2 Scotland, Sky 990, Freesat 970 and iPlayer for streaming or downloading later if you miss it. There seems to have been a wee delay before the download comes online on iplayer after the scheduled showing ends so don’t fret if you can’t get it immediately.
Tonight we are on Lewis, Great Bernera and on a mission out to St Kilda.


Heading into no man’s land on St Kilda


Thought provoking afternoon

Just in from a shivery afternoon under black skies and gales in Glenfinnan. Kev couldn’t make it out for sessions on the slab so I took the shunt and worked more on the harder of the two projects there. When I originally looked at it I could see that it was possible but it looked like an E11 slab (!) Can you imagine how nails that would have to be?
But after some hours of deciphering I decoded a sequence and with much wild slapping for various tiny things, got it linked on the top rope. Oh dear. There is also one microwire placement. A poor one, but enough to make it seem like it could be the coming down towards the top of the E10 band, and something I would at least think about leading.
Most of the hard trad routes I’ve done are much better protected than this, and a LOT easier. The only harder route I’ve done is Echo Wall probably, but that suited my style being steep and technical. I’m a crap slab climber on the whole. Having said that, I’ve tried to climb some harder slabs to get better at them. Comparing this line to other slabs like Indian Face or The Walk of Life in my mind - they are easy warm-ups against this line, and a lot better protected. A lot of much better microwires would have to rip on Indian Face before you’d be in trouble on a fall. This route only has one, shallow, flared and in quite soft rock.
Unfortunately there’s no way I could lead this slab with any kind of margin. It’s a full on, all out desperate slap, scream and wobble fest to get through the crux. And that’s on a top rope. The landing looks like it might only dish out broken legs. It’s only a 40 foot route. But the chances of a scary tumble would be high. 
Thought provoking… 
I can’t decide if it’s a good thing that the forecast looks rubbish until I go to Spain.

Learning the error of my ways


Circuits @ Halewood‘s
This week has been a week of solid work on Rock ‘til you drop by day and abuse of various plywood boards by night. Good fun and a nice change from travelling too much. I do think I’ve read just a bit too much this week about posture and it’s impact on people who choose to spend large volumes of time hanging from bits of plywood. It’s a strange thing to spend all day reading about how much damage you can do from your sport, and then heading out to go and do some more all evening long!
Seriously though, I’ve learned a LOT about the likely sources of my own elbow problems over the recent years and have sufficiently terrified myself into including an enthusiastic battery of stretches and weird looking calisthenics to sort out my various imbalances. It's brilliant to actually know what the problem was!!!
Researching a book that crosses so many scientific and practical fields of expertise is no overnight task, and next week I’ll no doubt repeat this one and many before it: - buy expensive textbooks (the most expensive so far was £200!), spend the wee small hours tweaking searches through journals with nasty pictures of mangled elbows and then try to fit this with my knowledge of climbing and the elbow, finger and shoulder destroying ways of keen climbers.
But for two days, I have a break. I’m off with Claire to the Edinburgh Mountain Film Festival for some good events - first up: Diff’s lecture “Climbers I’ve shot, and some I’d like to shoot” which will be a laugh, then the Premiere of the film he shot of our repeat of the famous ‘Pinnacle’ week on Ben Nevis, 50 years to the day since they did it. Then on Sunday it’s the debate on the ethics of adventure. See you there maybe..


Mountain Equipment’s Chill slackline sets are now in stock in the shop - the 15 metre ‘entry level’ set. A little wider at 40mm…
Also back in stock is the To Hell and Back DVD which some of you have been asking for.

Tribal Tattoos #2

Tribal Tattoo IdeaTribal Tattoo Idea

Tribal Tattoo IdeaTribal Tattoo Idea

Tribal Tattoo IdeaTribal Tattoo Idea



Representation of celebrities

There's a good piece in today's Independent about the ways in which celebrities are represented in the media. It looks at the cycles of build-em-up-and-knock-em-down that are so common in the press and focuses particularly on Cheryl Cole and Wayne Rooney.

Definitely some good material here for an ENGA2 Investigating Representations task, I think.

Angle Tattoos

Angle Tattoos
Backside Angel Tattoo


Angle Tattoos

5 Climbs, 5 Islands part 1


Galta Mor, the Shaints - the location of our first ‘5 Islands’ challenge route; The Puffin Diaries E7 6c,6b
Did you catch it on TV last night? If you missed it, you’ll get it on iPlayer right here and if you are abroad you’ll be able to see it using this website (or wait for the DVD...). Remember to tune in again next Tuesday (26th) at 7pm to catch the second half of the story. If you don’t want to know how we got on in the first two days of the challenge, best stop reading this post here! All pics: by me courtesy of Triple Echo Productions



Cleaning pitch 2 the day before the start of the challenge. 
So first up was the Shiants. We didn’t know of any recorded routes on the islands other than some scary stories of attempts on loose basalt chimneys back in the day. The wave washed basalt in the arch was fantastic stuff. The only problem we had was that all the cliffs with good rock were north facing and the rain was coming down good style until about 12 hours before we were due to start. You saw the result of the damp rock under the roofs - a sudden slip and plummet. Thankfully that arete wasn’t too sharp on the rope! The roofs were about 7c+ but with reasonably good gear. Pitch 2 was a stiff E5 6b finger crack. So the whole route went at hard E7 6c,6b - The Puffin Diaries.



The Shaints have 2% of the worlds Puffin population
The second day was really going to be the toughest of the challenge. As it turned out it didn’t really work out that way, but that’s for next week’s show... The big horizontal roof on Creag Mo was about 7c+ or 8a before the crucial hold came off and possibly 8a+ afterwards. Or maybe I was just getting tired after throwing myself at it several times? On my recce for the production in May I semi-aided/free climbed out to that slot, removing a LOT of loose rock because the roof marks the line of weakness between the Mica Schist below and the bullet hard Lewissian Gneiss above. I dynoed for the slot and had a desperate time trying to get a cam in it along with my fingers and take a rest to clean it. And yet it broke straight off on the crucial lead day! Weird. Anyhow, the result was a harder route and I suppose more entertaining to watch me failing so many times. 



Arriving in Loch Seaforth to head to Creag Mo, Harris
It wasn’t too entertaining at the time I can tell you. The pressure of the entire project’s success or failure for Tim, the crew and the BBC production resting on me getting across that roof on my last try was kind of thick in the air. I think the relief on my face was obvious. The Realm, E8 6c, 6b is one of the best mountain E8s in Britain (The best E8 in Britain is still The Great Escape on Arran by the way). Did you spot the ‘Indian Face of the future’ project just right of The Realm? 



Boat life
It was funny Tim pointing out in the program that I was psyched to do as hard routes as possible on the challenge. I really should have known that choosing to try and do climbs as hard as E7 and E8 back to back that haven’t been done before so aren’t pre-cleaned and have all the unknowns removed would put the whole project at risk. The reason was that I just got carried away by the quality of the lines! It just seemed like if we were going to climb a new route on a brilliant cliff like Creag Mo, then it was obvious it had to be across the roof. When a lot of people’s time and money is being spent on a big crew of people being there to film us climbing and make a good TV programme, making it work is really high on the priority list. I made a judgement call that super high motivation to take the rare opportunity to nail such remote, good and hard routes would win out against having no margin to absorb setbacks. It worked so far...



Sometimes naming routes is hard, sometimes not.




Seconding Tim on day 3 on Lewis… 7pm next Tuesday for episode 2. Pic: Cubby Images/Triple Echo

The mode map

While it doesn't quite cover all modes, this map by the cartoonist, Randall Munroe, is a really great way of visualising the different forms of communication available to us in 2010. He's chosen to make the land masses' sizes proportional to their number of users, as this article in The Independent explains.

The full image of the map can be found here. You'll see me bobbing up and down in the Gulf of Lag, just off the south coast of the MMO Isle.

Teetering time


Loch Ailort looking like glass in the October sunshine


Since pulling super hard on the tweaky little sidepull crimp on the crux on Muy Caliente the other week, a ligament in my index finger has been complaining. A week or so of doing pretty much no climbing seems to have given it time to calm down a bit, and some careful training has resumed. At least it's been good for making progress on my next book, 'Rock 'til you drop'.
It’s quite scary how a week off makes a real dent in your form. Mind you, if there’s anywhere you need to be firing on all cylinders, it’s my board. I’ve never climbed anywhere so unforgiving of lack of form, energy or confidence. So long as you take it the right way, it’s good for you to be slapped so convincingly. 
As always, when injuries demand a rest for the fingers, slabs are a good idea. I did make one last attempt to climb a nice slab in the mountains. But the unseasonal high temperatures didn’t last long enough to finish the job. 
Instead I headed to another tip off from Donald King. The latest in the King line series is a lovely compact slab near Glenfinnan, with two hardcore projects. Yesterday, in lovely sunshine and the company of Kev, I had a session on the easier one which will be a bold E9 7a. I brushed, fiddled a lot with tiny microwires and tried some very teetery moves. By 4pm, it was time to either lead or go home.
The prospect of the lead meant a very balancy crux, swapping feet on miniscule smears with one hand on an undercut and the other doing not very much at all. Prognosis in case of a fall; two rather dubious microwires that could hold...or not, and a landing on a razor sharp spiky embedded rock 30 feet below.
I opted for going home. On my return, I’ll bring some more tools for the job. Ten minutes with a spade will sort out the guillotine landing. A handplaced pecker should add another runner to the rack, and fresh toes and fingertips should bite into those little ‘holds’ a tad better.

Can't wait...




Kev enjoying the gloaming on the walk out



Comfortability?

I nearly choked on my Chilean Merlot last night (drunk to celebrate the rescue of the trapped Chilean miners rather than out of any dependence on the tranquilising effects of alcohol, honest) when Apprentice contestant Melissa used the expression "to find comfortability" while referring to her team's hopeless product the Book-Eze, designed to make reading on the beach less onerous (watch from about 30-31 minutes into this episode if you want to hear it for yourself).Am I getting prescriptive in my old age?

"Comfortability"? Is it a real word? When I type it wrongly, my Blogger spellcheck corrects it, so Blogger thinks it's real. I've checked it on WebCorp and it seems to appear on several US business websites and it gets used  by American footballer, Shawne Merriman here. But what does it mean? And why not just "comfort"?

This guy claims he coined it to refer to an ability to be "fully present/comfortable in an uncomfortable situation". I can't find it in the OED or Merriam-Webster, but it appears as long ago as 1984 as part of a medical test, "A Comfortability Level Scale for Performance of Cardiopulmonary Resuscitation". Weird...

So, is this like conversate: a word that might have originally just been a mistake, a slip of the tongue, and which gets picked up and spread into wider usage because of its apparently impressive sound? Is it better than "comfort", and, more importantly, will I be able to read my Girl With The Dragon Tattoo on Bognor beach in comfortability?

Tube tips for women revisited

Back in 2005, Transport For London issues a leaflet called Tube Tips For Women which set out to help women "get the most out of the tube and stay safe". It contained such brilliant and original advice as minding your step on the escalator if you're wearing "party shoes", always carry a cereal bar (fits well in even the tiniest of handbags, apparently) and capped it all with graphology straight from the high street perfume counters, all lippie and pink squiggles. Zoe Williams of The Guardian didn't like it and after a few complaints it was withdrawn.

The original link to the leaflet died after the leaflet was pulled, but I've uploaded it as a clickable image on the original post from 2005, which you can find here. If you're looking at representation of gender for ENGA2, the leaflet, Williams' response and 2 or 3 other short extracts about the same theme would probably make a good set of materials for an investigation.

More on slang and correcting dodgy grammar

Here's a couple of follow-ups to recent stories featured on this blog.

For starters, this is a comment piece by Bob Nicholson in The Guardian which looks at how Victorian English took in American slang, and how the Americanisation of English is hardly a recent phenomenon.

Then there's this piece by Belinda Webb, also from The Guardian, that takes a look at reactions to slang. It's not a particularly brilliant article as the writer appears to confuse dialect and slang, but it's an intervention in the debate about language, so worth a look.

Finally, there's this article about Queen's English Society arch-pedant, Bernard Lamb in last month's Times Higher.

Hot Aches DVDs offers

We are running a couple of offers in the shop for a while on the Hot Aches DVDs collection:
The ‘boxless’ set of all the Hot Aches DVD back catalogue for £50. 5 DVDs, 7 hours of great climbing films and the collection pretty much reads like a history of top end British trad climbing as well as ice, mixed, bouldering and sport and multipitch from all over the world. Contains E11, Committed I and II, Monkey See Monkey Do, All Mixed Up. PAL format only. It’s in the shop now here.
Committed I & II bundle for £20 which they would normally cost each. Committed I has 200 E points of hardcore trad action including Divided Years E8, Blind Vision E10, Trauma E8 and stacks of others. Committed 2 has The Walk of Life E9, The Groove E10, Dynamics of Change E9, If Six Was Nine E9, A’ Muerte 9a, The Hurting XI and on and on. In the shop now, here.

The English Language: it's not doing great

Each day seems to bring another argument about language and how it should be used. It is a great time to be an English Language student, huzzah!

Today's Independent features an opinion piece by Dr. Bernard Lamb, the President of the Queen's English Society (Surely that's a dangerously republican title for a staunchly royalist organisation?) who argues, among other things, for an end to the inverted snobbery and deliberate dumbing down of language that have led to a generation of nitwits not knowing the difference between they're and their. He rails against many other things too: the glottal stop; the lack of capitalisation of proper nouns; using great as an adverb when it's an adjective (Stop press! It's been used as an adverb for a long time. Deal with it!).

And as a professor of genetics, he's obviously eminently qualified to talk about... genetics. So why is he holding forth about language?

Anyway, he does make some sensible points too. There is a really good argument that we all need Standard English as it is a mutually intelligible dialect for all English speakers. If we all have access to Standard English then we all have a chance to communicate with each other, regardless of the region, the social class, the ethnic group or the age group we come from. I wouldn't argue against any of that. But when the definition of Standard English (or the Queen's English as Lamb insists on calling it) spreads like a BP oil slick to cover strong regional accents, glottal stops and the "misuse" of literally, then it's no longer really about a mutually intelligible means of communication and much more to do with personal prejudices.

Slang: now the teachers don't know nuffink neither

Yesterday's Daily Mail featured a brief story about a school in Portsmouth where two teaching assistants have been criticised in an OFSTED report for their "poor grammar". As usual, the Daily Mail's message boards seem to act like a magnet to every droooling, knuckledragging dimwit in the universe (as well as the occasional rational human) so within a day 100 comments about the state of the British education system had been posted, ranging from those that blame Nigerians, Alesha Dixon and Tony Blair to those that are sure it's the fault of scruffy (male) teachers and Alan Sugar.

The story actually turns out to have very little to do with slang (despite the Mail and this blog's headline) and much more to do with dialect. The teaching assistants had apparently used the local construction "I likes football" (which shows a different subject verb agreement from Standard English's "I like football", or more accurately "I hate Millwall"). But again, and like so many other stories about aspects of language, the anger isn't really directed at the feature itself (which is pretty harmless) but at the users of it and those that are perceived as letting it ruin young people's education.

I've done a (slightly) more technical post about this over on the Teaching English Grammar in Schools blog if anyone's interested, but is it really such a bad thing to have a couple of teaching assistants using a local variety of English in the classrroom?

And wouldn't it be good if next time the Daily Mail ran a story like this, a mass language intervention of intelligent comments from A level English Language students drowned out the nutty ramblings of the usual message board trolls?

5 climbs, 5 islands scheduled on BBC2


The 5 climbs, 5 islands film has a provisional slot on BBC2 Scotland! Originally filmed as a back up for the Great Climb programme in case of atrocious weather, injuries etc (we got both but still managed it!), we had a great adventure and I think you’ll like the film.
We travelled about the Hebrides on a big boat, attempting some really hard new routes back to back over 5 days. You’ll have to watch the programmes to see the outcome but I can tell you it was the best trip I’ve had new routing in the Hebrides, certainly one of the hardest and definitely with the most falls!
The culmination of the trip trying a brilliant 2 pitch line of perfect black Gabbro on St Kilda was unbelievable.
It will be shown in two x 1 hour shows, BBC2 Scotland, Sky, iplayer October 19th and 26th at 19.00. Enjoy!



Some pics from St Kilda on the 5 climbs, 5 islands trip. Photos: Triple Echo




My previous blog about the trip is here.

Muy Caliente


In the ‘no fall zone’ on Muy Caliente E10 6c, Pembroke
I’d never been to Pembroke before, so obviously I’ve been a bit of a headless chicken over the past week spent there. There’s a lot to do! First up I met up with Harry and the team to shoot for a couple of days with them for their documentary ‘Mastering the Matrix’. We talked a lot on camera about my perspectives on finding success in sport or tasks in general, the differences between success and happiness and misconceptions about risk taking. I’d been invited to take part in part because I discussed a lot of this in the practical context in my book. The lessons from sport for the wider world are fascinating and it was a good discussion.
After talking for ages, it was time to put it into practice. So we went to the cliffs and took some falls. We practised falling, taking 30 footers off ‘Test Case’ E3, in St Govan’s. It totally reminded me how often you have to practice falling. I was actually a little nervous before the first one. A couple of months of no trad falls and the unfamiliarity of falling plays absolute havoc with your leading confidence and climbing efficiency. If you don’t believe me you’re either a nutter, operating way below your potential, or more likely kidding yourself. After this I took the opportunity to have a quick play on Tim Emmett’s E10 ‘Muy Caliente’. Moves done first try, link done first try. Game on.



Setting up for the technical crux, the crucial nut clipped
I asked the guys if they wanted to stay an extra day and film me putting my money where my mouth is and blasting up that runout. I must say that my knowledge of Tim’s lead attempts really spurred me on to get on the lead myself. I think Linford Christie would struggle to prevent a boulder splat from 50 feet up if you fell off the end of the runout. Tim’s  lead attempts despite not having linked it on a top rope are an exemplar of taking it right to the limit. A fine effort of boldness. I linked it second go and still felt it was a serious proposition, especially while nervously fiddling in the wire at the end of the runout, all too aware of the long stretch of rope below me.
Once past the runout it’s just a matter of unleashing every bit of power in your fingers on the technical crux. You don’t want to have to do that runout again! E10? Maybe just, because of that runout. It’s certainly easier than To Hell and Back, but maybe a slightly bigger undertaking than Achemine.



Mid-technical crux on Muy Caliente



With that in the bag, I headed to the pub with Pickford and rendezvoused with the gang for the next shoot! Next up our plan was to shoot some nice climbs for a few days for Black Diamond Equipment. Myself and Tim climbing, Diff, Katie and Dave Pickford shooting. 
The next hardest route to get on was Pickford’s line ‘The Brothers Karamazov’ Originally given E9 but later downgraded to E8. However, Dave pointed out that the line hadn’t been done in one big pitch. The second pitch is E7 and was led on a separate day from the main pitch by Pickford, Birkett and Mawson (as far as I know). Dave reckoned that cleaning up this niggle would make it definitely E9.
On day 1 we had a go but sea spray stopped both of us in our tracks. Instead we wandered up some nice E5s which were lovely. Next day we got thoroughly soaked by rain and opted to just to Pleasure Dome E3 and Manzuku E1 in the wet. Once we discovered that climbing soaking limestone in gloves was easier than soggy chalk we got on fine and had a nice day.
But ‘The Brothers’ (needs to be said in a Welsh accent for full effect) needed doing to round things off. So next day after the rain stopped we were there again, this time with both of us feeling like going for it. In the end, by the time conditions were right and we were ready, the sun was low in the sky, the waves were getting closer and there was time for only one lead. So we drew straws. I won and Tim graciously let me go for a good scrap on the wall, struggling at first with warm slippy slopers on the crux, and then rope drag just where I didn’t need it on the upper E7 half. But just after sunset, I topped out with a big pitch behind me and a big smile. Video and pics from all this will be on BDs site sometime soon.
Great trip!
PS: 600 mile drive home, as always, was the most dangerous part of the trip. As I pulled up at a traffic jam I looked in my rear view mirror to see the guy behind driving along looking down (presumably at his iphone) and not braking. So today I have some minor whiplash and a smashed up car to deal with.



In praise of bouldering


I’ve had two and a half intense days at home since returning from work in Milton Keynes and leaving for more work in Wales this morning. Too much driving!
Last night, after a marathon office stint, attempting to finally catch up with all my work at home, I enjoyed a session on my board immensely. That might not seem surprising. But to me, the extent of my enjoyment of bouldering surprises me nearly every time I do it.
As I was saying in a recent post, I’m looking for lots of things in climbing - adventure, partnerships, big challenges. Seen as ‘higher order’ pleasures compared to the physical enjoyment of climbing. Except ‘higher order’ is totally the wrong way to see it.
In actual fact, there is nothing ‘lower order’ about the physical side of climbing. Firstly, because there’s no such thing as a purely physical pleasure. All enjoyment is psychological. Sometimes it’s convenient to separate ‘basic physical’ and more complicated feelings. However, when it comes down to it, there is no difference along these lines and that is not sufficiently recognised in modern discussions of climbing or other types of enjoyment.
A complicating factor in how physical and mental pleasures have become separate is our natural tendency to become either arrogant, ignorant or just a bit unimaginative. Lots of climbers got into climbing to have adventures, see nice places, gain respect or acceptance and other things like this. It’s still fairly common that some climbers either simply don’t understand sport climbing and bouldering, or think they do understand it and look down upon it as a ‘lower order’ pleasure.
Their loss! And I don’t mean that in a dismissive way. This post is a direct appeal to those people to make another effort to understand it and realise the whole world of deep enjoyment they are missing out on! 
Sometimes, it’s purely the fear of the status quo changing and their connection with climbing changing that stops people giving it any effort. Maybe your view of what you value in your climbing might change forever and that feels risky. But much more often it’s a purely practical problem - people don’t know how to boulder. They don’t know what to do on a bouldering wall. It feels boring to them. Their mistake is to deduce therefore it is boring. Rather, they just haven’t figured it out yet.
It’s a skill in itself and it takes time and application to master. It’s not love at first acquaintance for everyone as I’m sure some of you could testify. Think about a skill you know well such as your favourite branch of climbing, your job or some other activity. Have you ever seen people make some basic mistakes and fail to connect with it? You find yourself thinking “if you just did it this way, you’d get so much more out of it!”. Well maybe you are in the same position with bouldering.
I’ll put my money where my mouth is and write a simple guide to how to boulder and enjoy it for those who have tried and don’t. I’ll do this shortly and post on my other blog. But for now here is a quick thought:
We call boulder problems ‘problems’ because it is primarily a problem solving activity (that idea of it being all about the physical is dissolving already!). So you have to come to it with the willingness to grapple with the problem - experiment, learn incrementally and then reach the solution. If you do it indoors then you inevitably run out of problems and need to set more yourself. So it’s also a problem setting discipline. A massive area of skill with lots of areas to go wrong. Learn it piece by piece. 
And what about the physical connection? First, you have to open yourself to the pleasure of movement. Not everyone is. They are too focused on getting to the top - the result, the task completion mentality. There is more to it. If the objective is not just to climb it but to climb it well, with minimum force. The experience has more dimensions this way.  The application of strength and momentum is enjoyable too. But not just for the force - for the timing of the force and also the sparing of it.
It’s possible to get so much enjoyment from an hour on a plywood board. Crazy thought.